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Kumoricon is a local, nonprofit organization that puts on an annual anime and Japanese culture convention. As their Graphic Design Coordinator, I lead the team who created all of their advertising and collateral. The designs focus on the yearly mascot and cityscape of Vancouver, the host city. This year also sported a “10 years” badge to commemorate the 10th anniversary of the con.Advertising, Creative Direction, Graphic Design2013 -
InPower is a fitness group for cancer survivors. They have weekly work-outs and participate in races and marathons to raise money for different causes. The “Fit to Fight” logo depicts the group’s fight against cancer through strength and camaraderie. It depicts, literally, the strength InPower gives it’s clients to fight their illness.Graphic Design, Icon Design2013 -
Tigard Christian Church is a tight-knit community that focuses on local outreach. The logo design was greatly inspired by their slogan, “making disciples, who love God, and love others”. Each element of the slogan is represented by a growing line that gives birth to the next step which also grows, just as someone’s love for God would grow and beget a love of others.Branding, Graphic Design2013 -
This set of ads were created for Prolifiq Software, a life sciences app for iOS, to use at their trade shows. Created to appeal to people in the life sciences industry, the bright whites and saturated colors really draw the eye while remaining clean and uncluttered.Advertising, Graphic Design, Typography2012 -
“What’s Cooking?” is a new game from Looney Labs. The game is for people in their mid-teens and should draw on their sense of nostalgia as well as their inner child. Because the game is centered around food, the inspiration was the classic “Let’s all go to the Lobby” animation and the animation work of Don Hertzfeldt. The food was rendered using a minimalistic illustration style to make it feel more childlike. Large swatches of bright color were used in order to bring the characters to life.Packaging, Illustration2011 -
Argyle Wine needed a seasonal gift box set for Valentine’s Day. As Valentine’s Day is a holiday of romance, the box set was made with romance in mind. The dark wood finish is meant to exude a warm feel while the red satin is meant to give a feeling of richness and romance. The box was detailed with gold accents to further increase the feel of richness.Packaging2011 -
In order to appeal to a yet untapped market for the culinary art, this cookbook uses sci-fi to make baking more accessible to the nerd subculture. Each recipe was given a serial number and greys and blacks were used so it would feel as if the book was written by a robot. Also, the cover was made using binary code as a decorative element to further push the robotic and computerized feel.Graphic Design, Typography2011 -
The “Sabriel” opening title animation is meant to be played at the beginning of the Sabriel motion picture. It displays the names of the featured cast and crew, as well as introduces the style and tone of the movie. The style was conveyed by casting the entire piece in a blue light, which gives off a cold and melancholy feeling. The soundtrack, “Moonlight Sonata” by Beethoven, is a very slow and measured song and creates a contrast with the grim subject matter of the film.Computer Animation2011 -
MJF Books requested book covers for their re-release of Ian Fleming’s James Bond novels. The covers needed to be cohesive as a set and had to uniquely represent each book’s plot. To appeal to a slightly younger audience, inspiration was drawn from Apple for it’s recognizable and youthful appeal. This design will also focus the audience more on the content rather than any extra decorative details. Different colors were used for each book in order to make the covers cohesive as a set, while standing apart from one another.Graphic Design2011 -
Adobe Magazine requested an educational insert for their publication. The insert’s topic changes monthly and always includes a tutorial on the back page. To illustrate this month’s topic, large fields of color and texture were used to give the feeling of a piece that was cut and pasted together. For the tutorial, the concept of texture and paper was expanded by sketching the steps in the tutorial in order to give it a “do it yourself ” feel.Graphic Design, Publication2011 -
Ground Kontrol, an arcade and bar in Portland, OR, hosted an independent film festival featuring three movies, Donkey Kong, Frogger, and Space Invaders. They want to market to their audience as well as try to branch out to new customers. In order to draw people in, the games were depicted as live action images in order to help them come across as movies. It also draws on the audience’s sense of nostalgia, as these are all classic games.Graphic Design2011 -
This set of flash cards were designed In order to raise awareness for a new typeface called Oyster. These flashcard packs are intended to be given to typographers and designers to advertise the font. As the typeface is based on the art deco movement, the cards were illustrated with an Art Deco inspired style. This style will introduce them to the typeface in an interesting way as well as give the audience a piece of collateral that they will want to hang on to.Graphic Design, Typography2011 -
Centric Biosciences produces and sells CentraSyn, an artificial blood created by harvesting stem cells. As this product is marketed to hospitals the feel of the logo was kept fairly clinical and clean in order to give the air of science and technology. Also, Red and white were used for the logo because, while most people associate red with blood, the product is actually white. That is why the heart is red and the drop in the center is white.Graphic Design, Branding2011 -
Chew magazine, a magazine created to appeal to the foodies of Portland, will compete with other food magazines by focusing its audience exclusively to Portlanders. The articles are about sushi and healthy eating. The layouts feature food and the Portland landscape, in order to draw people in through the vibrant, dynamic visuals.Graphic Design, Publication2011 -
Ride Connection needed the use of their branding to look more professional across various pieces. Utilizing their color scheme and their logo, the set was redesigned to stand out on the shelf more effectively. In the same way, the banner was redesigned to draw people to the booth more effectively.Graphic Design, Branding2011 -
Warehouse 13 is a show airing on the SyFy channel. Is centers around a warehouse that contains endless crates containing artifacts from the past. The box set was designed to look as if it came straight out of the show’s warehouse. It contains objects that reference objects seen in the show as well as files describing the objects. The set also contains a DVD case styled to look like an old leather bound journal. These elements together give the official and time worn effect that is so prevalent in the show.Graphic Design, Packaging2011 -
Beard Team USA is hosting the National Beard and Moustache Championships in Bend, OR. This campaign is meant to raise awareness of the event. Beards, and especially moustaches, have become very popular recently. This set of collateral is intended to capitalise on the popularity by using illustrations of beards and moustaches. To give the feeling of competition, inspiration was drawn from Boxing posters of the 50s. Also, the color palate was inspired by art from India because of their great respect for beards and facial hair.Graphic Design, Event Campaign2011 -
After Six is a men’s formal wear company that sells and rents tuxedos, suits, and formal wear accessories. After Six’s identity was a logotype. This design was created with the intent of adding a graphic element as well as creating a series of usable pieces for the brand. A top hat was used as it clearly represents both formality as well as masculinity. Black was also used heavily as it also is highly representative of formality and masculinity.Branding, Graphic Design2011
All works © Brandon Rankin 2011.
Please do not reproduce without the expressed written consent of Brandon Rankin. Powered by ProSite.
Please do not reproduce without the expressed written consent of Brandon Rankin. Powered by ProSite.

